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03 February 2009
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Why this blog?
- Welcome to Europa Film Treasures' official blog. For the first time, a web site offers free access to a scheduling of heritage films from the most prestigious European archives and film libraries. Each ticket corresponds to a film. You can respond to the films and web surfers' contributions by posting your comments. Like the web site, the blog exists in five languages. Don't hesitate to take part in the blogs of the other versions.
Recent Comments
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- Catherine Thibault on Programme Nadar
- Catherine Thibault on Programme Nadar
- Catherine Thibault on Programme Nadar
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Tengo 60 años, soy profesor y he leido muchos libros... pero con Uds sigo aprendiendo
Gracias
Mauricio de Picciotto (Argentina)
Posted by: Mauricio de Picciotto | 31 July 2009 at 04:22
As a first-time visitor to your site, I am more than impressed.
The musical accompaiment (sp?) was just right. The last few segments brought to mind Isadore Duncan and Lady G.
Did American films ever venture to show the potential of film the way these segments do?
And the closing sequences blew me from here to Amsterdam.
Posted by: Peter Bomba | 19 September 2010 at 06:13
wow thx
Posted by: Vi | 20 September 2010 at 22:37
Muchas gracias Mauricio, su mensaje nos encanta mucho!
Thank you for your nice comments!
Posted by: EFT Team | 23 September 2010 at 19:17
What a gift this site is! How can I express my gratitude? I've always wished for something like this.
Posted by: kesmarn | 08 June 2011 at 22:51
Is there a little more information regarding the content of this "Programme." I realize that these are the only known Paul Nadar films; is he known to have made others? Were these ever publicly exhibited? Are these definitively seen as a group -- a program -- or are there titles and/or specifics available regarding the individual items within? At the beginning of No. 2, there is a herald -- "Mme. Zambelli" -- that presumably identifies the dancer in that sequence, who seems to be the ballerina in the first scene. The third dance looks to be Loïe Fuller or one of her many imitators; most early films credited to Fuller are imitators instead, but this looks like it might be her -- kind of hard to make out the face as it's available in so few shots. What is the nationality of costume in No. 4 -- perhaps Greek or Albanian? I've never been to Paris, so I don't recognize the location of the two winter scenes which close the clip. Any answers appreciated.
Posted by: Uncle Dave Lewis | 31 July 2011 at 14:40
Did American films ever venture to show the potential of film the way these segments do?
Posted by: Tiffany outlet | 16 September 2011 at 20:44
The dancer is Carlotta Zambelli. Nadar is giving us the clue just before the second scene, with the Parisian street name shot "Zambelli" She was born in Milano, trained at The Scala ballet school, came to the Paris Opera school and became a Prima Ballerina of the Paris. She was a sensational dancer for those times. The first to do tons of fouettes!!!
Posted by: Catherine Thibault | 24 April 2012 at 15:40
I believe in the first extract of this film Carlotta Zambelli is the man character, the one who does the plits.
Posted by: Catherine Thibault | 24 April 2012 at 15:48
I meant the Folk dance extract, sorry, Carlotta Zambelli is the one doing the splits!!
Posted by: Catherine Thibault | 24 April 2012 at 15:52